
Piracy file-sharing services like Napster and Limewire revolutionised and democratised the way we consume media, while platforms like Second Life and Habbo Hotel responded to the onset of new technologies with bold metaverses ripe for exploration. Before social media standardised and monopolised the way we communicate, ad banners became prime real estate. A World Wide Wild West, the 2000s marks an innocent time in internet history where Geocities and online forums served as global villages, where like-minded people could gather en masse for the first time ever.
#Nostalgia aesthetic windows
It’s hard to look back on the early internet – roughly spanning Windows 95 to the glory days of YouTube – and not feel pangs of nostalgia. On TikTok, #webcore has over 100 million views and generates results such as early YouTube hits (and memes) “ Caramelldansen ” and eyestrain edits of Hatsune Miku.

A Webcore YouTube playlist, featuring glitched-up synths and dreamy Microsoft 95 aesthetics, has garnered over two million views.

#Nostalgia aesthetic Pc
Nightcore, an internet genre that found popularity on 00s YouTube and combines pitch-shifted vocals with images of anime, has recently been bandied about by the likes of Grimes and serves as a key influence for PC Music and hyperpop. With much of the early internet aesthetic owing to the golden era of YouTube (approximately between 20), there’s a rehashing of old music genres. iPhones are being traded in for flip phones, emoticons are replacing emojis, and – if Kim Petras’ Slut Pop album cover is anything to go by – the CD is making a return, too. Since the beginning of the pandemic, we’ve seen people lean into escapism by flocking to eras past, whether that’s digging out old childhood videogames, revisiting weird entries on Urban Dictionary, or putting on Von Dutch caps and calling it indie sleaze. Its maximalist, Microsoft Paint aesthetics serve as a direct contrast to the stark and utilitarian visuals of its Web 2 successors, as seen with Apple and Facebook.Īn extension of our growing fascination with Y2K is the return of early web aesthetics. Although it would go on to lose popularity at the onset of mobile gaming technology, reentering its now-dormant servers is like glancing into a living time capsule: an innocent time when the internet was a boundless site for experimentation and play. I take part in a number of games and quests, customising my personal plushie store with rudimentary Adobe Flash and socialising on the website’s glittery chat boards, the gamified experience serving as a portal to brave new worlds.īoasting 25 million users at its peak in the mid-2000s, Neopets was as synonymous to early aughts childhood as Tamagotchis and McDonald’s Happy Meals. Here, I bypass the parental controls and check up on my virtual pets Blumaroo and Shoyru. I enter my username Pebble_78 (a reference to the then-newly released Motorola Pebl) into the server and enter the vast digital world known as Neopia. The faint blue CRT light on the Dell family PC casts a shadow across my face.
